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layer-by-layer processing, in-model feature transformation and sufficient model complexity. After a discussion about the mystery behind deep neural networks, particularly by contrasting them with shallow neural networks and traditional machine-learning techniques such as decision trees and boosting machines, we conjecture that the success of deep neural networks owes much to three characteristics, i.e. In this paper, we explore the possibility of building deep models based on non-differentiable modules such as decision trees. multiple layers of parameterized differentiable non-linear modules that can be trained by backpropagation. With the majority of virtual instruments and sample libraries stored on one or more VEP server machine.Current deep-learning models are mostly built upon neural networks, i.e.
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The pros often have templates with over a 1000 plain MIDI tracks. VEP is used when one typically has enormous track counts of orchestral type sample library instruments and is usually operated in conjunction with huge DAW templates.
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This maybe confusing - but given this thread is specifically directed at Ableton users who actually own, use VEP - they will understand what I'm talking about. Giving a maximum instrument count - all accessed via a single VEP client plugin - of 8 x 16 = 128 total instruments.
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For example my current setup - when using Cubase - has a single VEP instance on the server. And in this scenario - given that huge numbers of instruments are being hosted - this needs MIDI control via MANY. So the preferred solution recommended by Vienna themselves is to run ALL the instruments in 1 single instance PER SERVER COMPUTER. But the trouble is - as the Vienna Ensemble Support engineers themselves will often point out - running more than one VEP "instance" on the server - and more than one CLIENT VEP plugin in a DAW presents much more load on the computers AND the network - for reasons that can't be gone into here. So each VEP client plugin would only allow MIDI to be sent to port 1 and each VEP instance on the server would just use MIDI port 1 for each collection of instruments. This is in fact one possible solution to the 16 MIDI channel and 1 port limit. And in this situation each VEP client plugin instance connects to a SEPERATE VEP "instance" on the VEP server app. Now it IS possible to run several instances of the VEP client plugin inside a DAW. So for example MIDI port 1 might have 16 channels of string instruments, port 2 16 channels of winds, port 3 brass x 16 and so on.Īll of this gets controlled from a SINGLE instance of the VEP client plugin inside the DAW. This instance - in order to host and present more than 16 instruments - each accessible via MIDI - will use more than one MIDI port - EACH with 16 MIDI Channels. But I'll just stick with a scenario of where there is just one big instance being present in VEP. Because of the current limit in many plugins to 16 channels it means that typically a SINGLE VEP instance ( one can actually have more than one VEP "instance" operating on the same VEP server app.
MAX VIENNA ENSEMBLE AUDIO OUTPUTS PER INSTANCE PRO
See here is the thing Vienna Ensemble Pro is used to host very large collections of instruments in plugin instances - which present themselves as instrument channels. Cubase and Logic allow a single multitimbral type client plugin like VEP to send MIDI to more than 16 instrument channels by means of these virtual ports.īut regardless of any temptation of mine to respond to your hint at an accusation of dishonesty I will explain more - since you clearly don't understand what is being discussed here.ĭo you own VEP or actually understand anything about how one operates it?. Secondly someone else wrote " I think he's referring to virtual MIDI ports, not physical ones. Firstly why on earth would I post a dishonest comment?